Those who do not have power over the story that dominates their lives, the power to retell it, rethink it, deconstruct it, joke about it, and change it as times change, truly are powerless, because they cannot think new thoughts. —Salman Rushdie
I’ve been telling it all wrong, sticking to one story and letting that cycle through my head, time and time again. I’m stuck in one particular variety of narrative: tragedy. Christopher Booker suggests that we, ever fallible human beings we are, tend to stick to 7 particular types of stories, that of: the monster, rags-to-riches, a quest, a voyage and return, comedy, tragedy, and rebirth. I’ve felt myself shifting mindsets, from the continually looping tragedy that was born of my desire to have my story already written at 21, to know what was to come for the rest of my life, and having that fail. And as I’ve come to let go of that story, I’ve shifted into that of rebirth, the story of a woman not scared to embrace life. And now, that I’m thinking about stories, I’d like to become the woman reborn into a mindset and lifestyle that does not involve writing my story too far ahead, that doesn’t involve seeking out a plot line that I can carefully craft into my own, and then live out until my dying day, unchanging, unfaltering. This kind of mindset doesn’t allow us to embrace the changes that we don’t have the ability to foresee, the events that rewrite our entire carefully planned stories, until we are broken, from the shock and difficulty of warping our already existing life story into this new, changed existence that we never wanted to be living. I would like to be reborn such that I am embracing the story that we are in a constant state of chaos, a constant state of “mess”, but that out of that mess can come a constant state of rebirth. Let the rebirth cycle back to rebirth, until each day, each moment, has a chance to be the next moment of change, of inspiration, of action. And the search for a coherent story line that I’ve felt since I “lost” my storyline, the search that I wrote in my mind but that became the tragedy that was my early twenties, that search can end because there is no coherent story. There’s only now, and the error margins on either side, the edges of now, determining how many minutes, hours, days, or even years, we choose to let fall into our current story point.
The above is drivel, inspired by the following:
http://www.ted.com/talks/tyler_cowen_be_suspicious_of_stories.html